An Interview with Charlotte Fantelli, Writer/Director/Producer – Journey to Le Mans

Charlotte Fantelli

“Challenge yourself to do something you know you could never do – and what you will find is that you can overcome anything…” – Anon

The motor racing documentary “Journey To Le Mans” ( reviewed here ) was an intense and exciting look at the JOTA Sport Team’s entry into the 2014 European Le Mans Series (ELMS) culminating in the race at the prestigious 24 Hours of Le Mans. What made the film even more impressive was that it was the debut film for Charlotte Fantelli, who wrote, directed and produced the documentary. Wanting to know more about her amazing journey I managed to track her down and she very kindly agreed to be interviewed. Read on for an inspiring story.

Documentary Dude You had no previous background in film-making, had never made a film before.  Most people without that sort of experience would never dream of making a film.  Explain how you got the idea and the belief that you could make it happen?

Charlotte Fantelli I had always written films since I was a kid, albeit for my bottom drawer so it was a lifelong dream. I suppose the belief came from a place where I didn’t believe anything was impossible. I’d faced quite a few challenges in my younger years and I think it kinda toughened me up enough to know that I wasn’t scared of getting up again if I failed, which really is quite a liberating state of mind. I also believed if other people had done it why couldn’t I.

The idea came a couple of years before-hand, I have always loved motorsport and while hearing a drivers talk from JOTA Sport while watching the ELMS I was captured by the real feat of human endurance, dedication and physical fitness it took to race. I’d always looked at the cars in awe and yet the men (and women) that drive them and the team that surround them tell the real story, a story that captured my imagination and one I wanted to bring to life.

DD From getting the idea to completion of the film how long did the whole process take? How much of that was actual filming?

CF So the idea was bubbling away for a year or two while I was in business and busy with family and work, it wasn’t until I gave up the business to pursue my film dream that pen hit paper on the project. I pitched it to ITV in Feb (2013), when I had a positive response from them, as in, they agreed to air it (if I funded it). I set about looking at other platforms and financial opportunities for it.  This process took a lot of time and energy, in fact it was still going on after filming started.

We first shot a frame in September 2013 at Paul Ricard Circuit, we finished official race filming at Le Mans June 2014, and picked up a few days filming after this. The post-production started at the end of June and would have finished before our premier day in November 2014, however we had a few issues with this and the international edit took far longer.

DD I understand Simon Dolan was already an investor in one of your businesses.  Given that you had already worked together and that the film revolves around his team JOTA Sport do you think that made things easier for the film than if it was someone completely unknown to you?

CF Of course, Simon was my way in to the team, and without that sort of relationship where you can really be accepted into the heart of the action it couldn’t possibly have been the same. I also think that us being a small production crew and really getting close to all the members of the team helped portray the emotional side of things, for example when Simon had his crash we made a very awkward, very unpleasant few minutes viewing, as well as it being sad it is also very chilling and unnerving, we lived those long minutes (nearly 30) not knowing and our investment in what was going on allowed us to portray it much more realistically.

DD How did you go about assembling your team?

CF I wanted the very very best team possible so I started by finding out who had made films/programmes of this nature. I knew I needed a very experienced crew as I was so inexperienced myself. The obvious productions that came to mind were Top Gear, Fifth Gear and F1. So, I set about contacting directors, producers and crew who had this experience. I met with as many as I could, I learned as much as I could, I asked, I listened and I grew contacts.

I ended up with two guys Stuart Keasley and Adam Parkes from Black Flag TV. Black Flag had fantastic equipment and knowledge of this type of shoot and understood filming cars from every angle, especially the specialist mini cameras as these at times had to be worked into the car – a car that needed every gram to win a race, the aero, the weight etc etc all had to balance and I needed experts to help. It turned out that Stu and Adam were fantastic guys and ended up being my DOPs (Directors of Photography)  and helped shape the whole production with me. I learned that giving them my vision and listening to their expertise, feedback and direction enabled me to get the story I wanted and learn about filmmaking as I went. It was a very give and take dynamic.

The biggest shoot we had a crew of about 20, this was when we hired Blyton Park circuit, here we were able to get tracking shots and other bits we simply couldn’t in race conditions, but usually on race days we were a crew of about 3, I remember Spa circuit where I decided to save money and AC myself… Never again! To all directors, never underestimate the job of an assistant cameraman – I think I still have the scars on my feet! At Le Mans we had three crews who covered the 24 hours, most of them Top Gear guys.

DD As a new unproven film-maker, obtaining funding must have been difficult?

CF Funding was very very difficult. Many people have said surely Simon or Jota helped fund it, but no, firstly it would’ve been a complete conflict of interest and secondly even if we all wanted it, ITV, our biggest UK platform wouldn’t allow any funds to come from that direction, it was made very clear as an impartial editorial piece and not ‘an advert’ it had to be third party funded.

I put in the first £40k from savings my husband and I had from our wedding gifts and house deposit. Next I maxed out my borrowing with two whacking great £25k loans and nearly £10k on credit cards… NOT how I would suggest anyone does it, but I was in deep and kept digging, at one point my £3k overdraft was maxed too and I had two jobs while doing 70hours + a week on Journey to Le Mans.

I was turned down by 147 potential sources of funds as I pushed on with filming regardless. One day I had T.J. Scott the amazing director of Spartacus/Longmire/Black Sails, flying in from LA, he was coming to Silverstone with us and I didn’t even have the money for our passes let alone a film crew… About an hour before his plane took off I secured the £6k I needed and Stu and Adam also chipped in and now own 3% of the film.

Finally on the home straight I secured private funding and one sponsor pontjago.com and together we made it to Le Mans…

DD How did you manage to get  such a big star as Sir Patrick Stewart onboard as a narrator?

CF Again, getting Patrick Stewart came from the same bloody-minded determination as everything else. I asked my husband who he thought should narrate and he said Patrick Stewart, I said ‘fine I’ll get him’. I managed to get his email address and sent a personal note. Knowing he was a huge motorsport fan helped and before long I had his commitment, I just had to talk numbers with his agent. 

DD When Simon Dolan had his crash at the beginning of the season, this must have made you think that the whole project was over?

CF Ha, funnily enough no. When Simon had his accident those first 30 – 40 minutes we only thought about Simon, will he live, walk, you know I don’t think I even thought about the project.  Adam Parkes and I were in the pit lane waiting for Simon to come in when it happened, my son, husband and friends were in the garage and a deathly silence hit, my blood ran cold when I saw what had happened, I just wanted to be with them and the team. Adam however is ex military and was absolutely resolute in his role as DOP to capture everything, so that whatever the outcome we could have made something very special (obviously family and team willing) but as I say it wasn’t really thought of in that way, we all just acted in the moment.

DD Not wanting to give too much away, although the results are in the public domain, the season ending must have been a dream come true for the project?

CF Indeed, I remember being asked the night of the premiere what did you think when the team won. My response then is the same now, I said ‘I thought shit I might actually make my money back’… That week had been full of ups and downs and when we lost Marc Gene on the Wednesday, that was really when I thought it could be over, I mean losing our platinum driver just before the race, if the team didn’t make the finish line there is still a story, but not to make the start line?? So yes, it was very emotional, obviously I was ecstatic and emotionally invested in the team, but selfishly my thoughts were with my own personal family investment as I had given up SO much to be there myself.

DD What was the most challenging part of the film making?

CF All of it. I think though I underestimated the post production, I thought it would all just fall into place as it was a real life story and we had captured it for a season, but it wasn’t like that at all. We had 100 hours of footage and some very big problems in the process, these maybe not the most challenging parts for most filmmakers, but for me they were due to my complete underestimation of the process.

DD Did you ever have any self doubt during the filming and how did you get through it?

CF Self doubt? I probably doubted myself 100 times a day but I didn’t let silly doubts get in my way. I actually and probably very egotistically, had told myself failure wasn’t an option and I truly made myself believe it and live it as if it were a foregone conclusion. I say look at each problem like a hurdle and not a dead end, this way there is ALWAYS a way to jump it, you just have to find the solution.

One night I remember it really hitting home, I was £60k in debt, had no money to film the next stage and on the phone to a friend asking for money. I’d stooped lower than I thought I could, they said no. I just remember hitting the floor in tears and I’m not the crying kind… Ah well, 10 minutes later I’d pulled myself together and tried something else. You just do – when failure isn’t an option.

DD If you were to do it again what, if anything, would you do differently?

CF The post production process. Let’s just say I was let down by my first choice edit suite despite it being booked for months. In haste to find another, I chose poorly and from going with very experienced crew to film with, I went to an inexperienced suite in post production. It turned out to be a very costly mistake and while I admire some of the people who worked hard with me to make it work, I have a £36k insurance payout for a ‘faulty edit’ and a year of my life I wont get back.

DD What has the response to the film been like?

CF It has been very good, although IMdB reviews are mixed, which frustrates me due to the fact 50% of them were American 6 months before the film was released stateside which means people either saw it illegally or gave fake ratings as we were not available in their country. IMdB takes no notice or responsibility of this. Amazon on the other hand, we have awesome 4/5* reviews and have been very well received.

I think you always take criticism to heart when you work so hard and invest in something emotionally, but the whole process has made me a much tougher person and to those who criticise I say ‘I have a film I made from scratch available in around 100 countries across the world, show me what you have done better’.

DD What advice would you give someone wanting to make their first documentary?

CF Surround yourself with experienced people, never pass up an opportunity to learn, throw yourself in and just ‘do’ it. I would suggest people secure funding before they jump in, as I probably risked too much, especially with a family. That said if I hadn’t risked everything, if I had not filmed that season, we wouldn’t have captured the most incredible story, yet to be replicated.

Ultimately believe in yourself and your dream and work harder than you ever thought possible, that is the only route to success.

DD What next for Fantelli Productions?

CF I am having a little time away, time with the family, the process was tougher than I imagined, I have some fabulous opportunities to be part of a production company at Shepperton Studios with Black Flag TV and some TV and film projects that just seem to find me, but I am concentrating on today before I rush in to the next ‘dream’.

DD How can people follow Charlotte Fantelli online?

CF Follow me @Cfantelli

Charlotte Fantelli

An Interview with Mira Rai, star of the film Mira

Mira Rai

Photo Credit: Lloyd Belcher

I recently reviewed the inspiring documentary ‘Mira’ about the young girl from a small village in Nepal who is now setting the trail running world on fire. ( Read the review here )

The New Zealand Trail Running magazine Kiwi Trail Runner recently featured an interview with Mira Rai and have very generously allowed me to reproduce the article here:

Mira Rai – The Nepalese Trail Running Phenomenon

If you don’t already know the name Mira Rai,  I am sure you soon will. This diminutive 24 year old from Nepal has burst onto the international trail running scene seemingly from nowhere, with astonishing success.

A year ago she didn’t even know trail running was a sport. To her it was just a way to get around in an area so remote and mountainous that a journey to buy supplies from the nearest shop can easily take 3-5 hours  on foot. Since then she has won 13 of the 19 races she has entered and had a podium finish in another 4! Her victories include races in the Asian Sky Running Championships in Hong Kong and setting a new women’s record at the Mont Blanc 80km!

Raised in a mud walled house, without power or running water, in a remote village in the Bhojpur region of Eastern Nepal, she grew up as the second of 5 siblings, her parents, subsistence farmers. Life was not easy and regular meals were often dependent on the weather and the quality of the harvest. Mira dropped out of school early to help support the family, carrying sacks of rice to the market for hours over mountain trails. In retrospect this must have been good training for what was to come.

At the age of 14 in search of a better life she ran away from home and joined the rebel Maoist Army. Nepal had been battling a civil war for the previous 10 years but by 2006 the peace treaty between the Maoists and the Nepali Government had already been signed so Mira was fortunate not to see any fighting. Life wasn’t much easier though with the discipline and the daily survival and weapons training but there was regular food and the opportunity to train in sports, to build up her fitness. She learnt Karate and became a brown belt but it was running that gave her the greatest pleasure.

The camp was eventually closed down and her unit absorbed into the Nepali Army. Mira was discharged, and not wanting to return to her former life in the village, travelled to Kathmandu. With limited resources she stayed with friends, and focused on track and road running. However fate, as it so often does, was to play another hand.

One day on a training run she met another runner who told her about a mountain race that was free for Nepali women to enter and so a few days later she found herself on the start line of the ‘Himalayan Outdoor Festival 50km’. The only local woman to enter, she seemed woefully unprepared, clad in a cotton t-shirt, tracksuit pants and without food or water.…………She won the race!

A month later she won the multi stage Mustang Trail Race and it was then that people started taking notice. Well-wishers and friends raised funds for her to compete in Italy, her first ever trip overseas. Last minute Visa problems meant she arrived just before the race but it didn’t stop her winning the Sellaronda, a tough 59 km run through the Italian Dolomites.

More victories followed, bringing her to the attention of Salomon who now sponsor her race and travel expenses. Her multiple successes in Hong Kong have resulted in a soon to be released documentary on her life.

Inspired by her meteoric rise and wanting to know more, we enlisted the help of her mentor, Trail Running Nepal’s Richard Bull, and an interpreter, and managed to track down Mira during a brief return visit to Nepal to ask her a few questions about her new life as an international runner:

When did you first start running and why?

  • I actually started running while I was in the Maoist camps when I was 15. We used to have many sports and I got opportunities to join in. I was pretty capable in running then but you can say that I began from my childhood, running up and down the hills, near my village.

We had heard that you had initially focused on running track, what made you switch to trails?

  • I was still running tracks when I was introduced to trail running for the first time through the Himalayan Outdoor Festival. Since then I’ve seen my strength is on trails and, I leave track now to the experts!

Where is your favorite place to run?

  • I like running anywhere. I don’t have a particular place. But if I had to mention the trails that I have run, I liked Hong Kong and Manaslu (Nepal) trails particularly.

How do you find the trails in the mountains in Nepal different to the ones you have been running in Europe?

  • In terms of difficulty, there is not much difference in the trails of Nepal and those of Europe. But, the trails in Europe are managed and more developed and easier to run on.

What’s a typical training day like for you?

  • In Nepal, I run different distances every day. Sometimes, I run for 1-2 hours, sometimes for 5-6 hours and on occasions, even 9-10 hours. The trainings are similar abroad as well. I train both hard and easy. Usually, I run 5-6 hours a day. For ultra, most is slow fat burning running with sections of high heart rate running.

What does your family think about what you do?

  • My family has been really supportive and encouraging of my pursuit of sports. My parents are very happy with the wins that I have had. I don’t know why I began running in the first place, but when I see my family, I am very happy to have followed this path. 

How did you feel when you first went overseas to race?

  • After I won the Mustang Trail Race, I was invited to participate in an international race. Travelling overseas was a very different and exciting experience for me. I went out of my country for the first time, all on my own. Undoubtedly, there were many obstacles but it still remains one of the most memorable events. The race (Sellaronda) was very difficult; I had to cross four hilltops. But I loved the challenge.

Has it been hard getting sponsorship to run overseas?

  • Getting sponsorship is quite difficult. But I am lucky I got chances. In the beginning, Trail Running Nepal supported me and now Salomon team has been supporting my travel as well.

Have things changed now you are getting international recognition?

  • With me, my country is getting recognition too, and so are the women of our country who have had a challenging childhood and life. More people in my country now have knowledge about trail running; a sport, which is not well known in Nepal. I feel I can push myself even harder now, that I have more people supporting me. Besides this, well, not much has really changed.

How has running changed your life?

  • Running has given a purpose to my life. Also, I earned recognition for myself and my country through running.

Do you think from the time you started running to now, the running scene in Nepal has changed?

  • It hasn’t been long since I started running. The situation hasn’t changed much although I am hopeful that more people now know about trail running than before.

Given your experience with international races, how would you like the running scene in Nepal to progress from here?

  • Many people don’t see trail running as a significant sport in Nepal, although its potential is obvious here. There is no governmental or non-governmental support for trail runners in Nepal. They need to find sponsors or support groups which is very difficult. Development of running trails is important and we runners can work on that.

What advice would you give someone just starting out?

  • Well, the most important thing is that you need to enjoy and secondly, focus is important. When I run, I have no idea what is going around, all I know is that I am running, and I should be running. You should run freely.

Any plans to run in New Zealand in the future?

  • I don’t have particular plans at the moment, but I would love to. I am willing to take up any opportunity that comes my way.

Following this interview, Mira Rai competed in the final race of the World Skyrunner Series, the 110 km Ultra Pirineau in the Spanish Pyrenees. Challenging the Swedish runner Emelie Forsberg for this year’s title, Mira pushed her hard over the mountainous course. In a nail biting duel, the duo were neck and neck for much of the race. At 100 kms Mira was just 90 seconds behind Emilie, who eventually claimed the win and the series title. Mira came in second just 2 minutes behind, and achieved an incredible 2nd place in the series in just her first year of competition. For her to be challenging Emelie Forsberg, the 3 time World Skyrunning Champion so closely hints at great things to come from this phenomenal young runner.

Useful links:

Journey To Le Mans

“The 24 hours of Le Mans………where man and machine face their limits……..and find what lies beyond them.”

Ok I admit I am a motor racing fan, so could be considered a little biased. Having said that however this is a great film and one I feel that even non motor heads will enjoy.

Journey to Le Mans” follows the JOTA Sport team during the 2014 European Le Mans Series (ELMS) right from pre-season testing through to the final race at Le Mans. For those of you who don’t know, a victory at Le Mans, possibly the premier motor racing event in the world, is the ultimate dream of many a racing driver. The JOTA Sport team has attempted seven times without success.

JOTA  is a racing team privately owned by self made multi-millionaire Simon Dolan, whose own rags to riches  story is worthy of a documentary in its own right. They are racing what is called a sports prototype in the LMP2  class in this very competitive sports car racing competition.

Narrated by Sir Patrick Stewart of Star Trek fame, and British racing driver Tiff Needell, the film pulls you in right from the beginning. Great racing action including actual race footage and commentary, and a clever soundtrack make the film very entertaining.  Slo motion footage of the pit stops and driver changes are fantastic.

But the documentary gives you much more than you would get from just watching a race. You get to experience the back story, the behind the scenes action, the highs and lows, the tragedies and the elation. As a viewer you partake in all the behind the scenes activities as a “fly on the wall” and it almost feels as if you are part of the team.  Candid interviews with the team members and the drivers brings familiarity and helps you to feel involved in the battle for success.

Like life itself there are more than a few plot twists too to keep one guessing.

For the fans there are guest appearances by drivers such as Mark Webber and Alan McNish, as well as plenty of interaction with the team drivers, certainly no lesser pilots themselves,  ex F1 driver and Le Mans winner Marc Gene, Mclaren test driver Oliver Turvey, Filipe Albuquerque, and ex Formula 3 driver and now Sports Car driver Harry Tincknell.

However even if you aren’t a fan , “Journey to Le Mans” is well worth watching as a very entertaining and informative story.

Read my interview with Writer/Director/Producer Charlotte Fantelli here

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Mira

Mira Rai

Photo Credit: Lloyd Belcher

“Chances are like a leaf on the river. You have to grab it as it may never come again” – Mira Rai

A lovely, inspiring short film.

Being an avid trail runner myself I had heard of Mira Rai, the young Nepalese runner who had come out of nowhere to achieve success in international mountain running, so I was very happy to find out that a short film had been made on her life.

Filmed by Hong Kong based film-maker Lloyd Belcher, and funded by donations, the film tells the story of Mira’s humble beginnings, growing up the eldest of 5 children in a mud walled hut in a remote region of Nepal. In an effort to ensure regular food, she ran away to join the Maoist Army during Nepal’s civil war. It was there that she discovered a love of running. After the army was disbanded she tried her hand at track running but with little success . Fate, however, was to play its hand when she by chance entered a 50km mountain race, which she won, and she realised she had found her forté.

Not wanting to spoil the story for you although most of it is already in the public domain, the film is a really inspiring piece of filmmaking. Mira comes across as a simple, innocent girl, with an amazing talent. The visuals are breathtaking. From footage of her races in the Alps to drone shots of her bounding across the Nepalese mountain side like a mountain goat. One particular scene of Mira warming up as steam rises from her body lit up in the rays of the early morning sun really stands out in my memory.

At only 42 mins long it’s not a long film but long enough to inspire you to get out the door and hit the trails.  The support of her well wishers is admirable, and her achievements on the international stage are incredible for anyone, let alone a girl from a tiny village and who couldn’t speak english.

The film is available to rent on Vimeo on demand and is well worth seeing. Proceeds from the film will help fund girl’s sports in Nepal

“Sometimes life’s struggles are preparing you for greater things” – Mira Rai

Mira from Lloyd Belcher Visuals on Vimeo.

Ronaldo

I enjoy watching documentaries about famous people. We build up a picture in our heads of how a celebrity is, what they do, how they function, but it’s usually based on half knowledge, based as it is on news reports and social media. What we read is often filtered through someone else’s prejudices and gives us a biased picture of the person.

Documentaries help us form our own opinions, help us to build a broader opinion of a person, and although they too will be filtered through the film-makers biases, hopefully help to fill in the gaps in our knowledge.

Now I’m not a football fan, I don’t watch matches or follow the football news. However I do know who Christiano Ronaldo is. Who doesn’t? His face is seen on billboards all over the world, his achievements are well known.

The film “Ronaldo” although not an in-depth documentary, takes you with the famous footballer for just over a year as he trains, plays and relaxes at home with his son and family.

We learn about his family, where he has come from, how he started. We get to see his brother, who talks about his struggle with addiction, how he coped with it and now manages Ronaldo’s museum, and what it is like to be living in the shadow of his famous brother. It delves into the loss of his father to alcoholism, the fact that his mother originally wanted to abort him, and his life with his young son, who he obviously loves immensely. One gets the impression that he misses his father a great deal and wants to be the best possible parent to his son.

Ronaldo” is not a critical documentary, more a show-piece of the lifestyle of a successful footballer but nevertheless we do get an insight into his life and his thoughts.

There are a few scenes that seem rehearsed or staged, like when Ronaldo asks his son to guess which one of the sports-cars is missing from the garage  but this goes to highlight the seeming insecurity of the man. Perhaps this insecurity is what drives him to be so good? To keep striving for success? This again is pointed to when we see his reaction to his rival Lionel Messi winning multiple Ballon D’ors.

One gets the feeling that despite all the success, all the acclaim, all the material rewards, that he is troubled and not truly happy. We tend to idolise these famous figures, make them larger than life, but really what does come across in a film like this is that they are just as human as the rest of us, with, just like us, all their own personal demons to conquer.

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Altering Expectations

Altering Expectations

“I probably have the same feelings as the person who crossed the finish line first had….”

“Altering Expectations” is a short film documenting runner Kimberley Teshima as she prepares for and then runs her first Ultra-Marathon, the Oregon Coast 50K.

Filmed by her husband Ethan Newberry, a man otherwise known as “The Ginger Runner” the film is emotional, inspiring and filled with the stunning scenery of the Oregon coast. It’s almost like a tribute to the lady who has captured his heart and whose bravery and determination he obviously admires.

Kimberley is interviewed as she prepares for the race and although having some anxiety at running the distance for the first time she appears confident. The reality of race day however is starkly different and the confidence and pre-race bravado are soon left behind as she battles to beat cutoff times. The clever editing reminds you of her pre-race statements as she battles exhaustion and her mental demons. Along with Kimberley you get to experience her extreme ups and downs, her feelings of disappointment and failure, and her eventual elation at overcoming all the difficulties.

It must have been hard for her husband to keep filming while documenting her low points but film-on he did and the end result is a lovely little documentary that will inspire you to put on some running shoes.

If you haven’t got time to watch a full-on documentary and are looking for something to motivate you then watch “Altering Expectations”.

Me? I’m off for a run!

More films from “The Ginger Runner” can be found here

You can find out more about Kimberley Teshima here

Love the Beast

 

Love the Beast

A fellow car nut recommended this film to me so I knew it would be good. However even if you are not interested in cars you will enjoy this documentary.

Love The Beast’ is actually an intensely personal film. A film where the Hollywood film star, Australian Eric Bana, better known for his roles in ‘The Hulk’ and ‘Munich’ and ‘Star Trek’, documents his love for cars in general and tells the story about one in particular, The Beast – a Ford Falcon Coupe he has owned for over 25 years and has rebuilt 4 times since he bought it at the age of 15.

As his career took off and he became more famous and successful he was able to do more to the car eventually culminating in the 4th rebuild, a full ground up restoration in full race spec so he could enter the car in the 6 day endurance race, the Targa Tasmania.

Before watching ‘Love the Beast’ I never knew that Eric Bana was such a car buff and that he competes in motor racing in his leisure time. It’s always fascinating to see another side of famous personalities and this film does it in a very natural way. It’s as if you are one of his mates and you are discussing cars with him.

There are no Hollywood shenanigans; no posturing for the camera, just Eric Bana as himself, a down-to earth guy who loves his cars and through the fortunate circumstances of his career is able to indulge his passions.

The documentary makes use of childhood photos and videos, and interviews with his family and friends, many of whom he has kept since childhood. Through this we are able to get glimpses of both the worlds he inhabits, the laid back Australian home life and then as a complete contrast, the Hollywood glamour of the red carpet.

The Hollywood side of his life makes it’s presence known when he interviews and is interviewed by Jay Leno, as well as interviewing Jeremy Clarkson and Dr. Phil. You may wonder what Dr. Phil has to do with a documentary about cars, but he lends his point of view regarding why men have such a fascination for machines and the effect a love of cars has had on Eric Bana’s life.

We accompany Eric and his team as they compete in the Targa Tasmania and there is some fantastic in-car footage as we see Eric skillfully heel and toeing as he changes down through the gears. The stunning Tasmanian scenery lends a beautiful backdrop to the film.

There is a surprise ending to ‘Love the Beast’ and this gives us an even deeper look at Eric Bana the person.

Whilst I love to see anything about cars, the film taught me that there is always another side to those larger than life people we see on the big screen. That they are often normal people like us who just happen to be doing a different job and if circumstances were different they might have been just one of the friends we hang out with.

A great movie filled with lovely cars, beautiful scenery, and if you are not already, this documentary is sure to make you an Eric Bana fan.

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An Interview with Brad Bores, Director – When The Bell Rings

Brad Bores

Most of you will know that I loved Brad Bores’ documentary When The Bell Rings. If you haven’t already read it you can read it here.
What most of you won’t know is that the struggle Brad went through to make the movie is almost worthy of a documentary itself. Shooting took a huge commitment in time and to add to that, funding difficulties meant that Brad had to take on extra work in construction to ensure the completion of the film before finally raising funds on Kickstarter.

I was fascinated to learn what things were like on the other side of the lens and in the interview below Brad was kind enough to talk about his side of the story:

Documentary Dude) Is this your first full length documentary?

Brad Bores) Yes

DD) You could have picked any subject. What was it about Dino Wells that
inspired you to film his story?

BB) Really it was fate that put me in a position to film Dino’s story. We ended up working together as Production Assistants on the Independent Spirit Awards in Los Angeles. I wasn’t necessarily looking to make a documentary at the time but I knew if I did make one I wanted it be something where I was following the story unfolding before the camera. Dino’s story was too intriguing not to film.

DD) How long did it take you to film?

BB) First day of filming was April 2011, last day of filming was Dec 2012 and we finished post production May of 2014.

DD) I understand that you had some funding problems and had to resort to
Kickstarter. Was there ever a point when you thought “to hell with it! I
will do something else”

BB) There were many setbacks throughout filming whether it be financial or within the story unfolding, that made me think “to hell with it!” The thing is you get invested so deeply into projects like this and into the characters’ lives that there is no turning back. No matter how daunting it became to finish the film I knew I was capturing a story that was powerful and emotionally charged so that was what kept me going. Along with a commitment to Dino and to everyone that was involved with the film.

DD) Some scenes were intensely personal for example Dino with his son doing
homework. It seems hard to believe that there was a camera and crew in the
room at the same time. How do you go about becoming invisible/unnoticeable
to the character in his day to day activities and how long does it take?

BB) I would say it took a couple months before I really got to the point where I could film certain things and just be unnoticed. First off you have to build up the trust with the characters. I was spending day in and day out filming Dino’s life with his son. On top of that I was also spending a lot of time without the camera, hanging out, playing video games or football in the parking lot with them. You have to be a friend and an ally before you even think about getting a camera out and filming the intimate stuff. Also being clear with the subjects and letting them know beforehand why certain moments that are intimate or private will make the story that much more powerful. That way when the time comes there is an understanding on the subject’s part and a respect that you aren’t trying to sneak something past them. I worked as a one man crew, operating the camera and sound and I feel that also allowed for the intimate moments to transpire. I don’t feel that a full doc “film crew” could’ve captured a lot of those moments. I know some doc filmmakers like to manipulate characters and be deceitful/sneak shots in order to get the best story. I have no interest in that type of filmmaking.

DD) How tempted were you to try and help him out when things weren’t quite working out for him and where do you draw the line between being only an observer and intervening to get a “happy ending” for the movie?

BB) I became a close friend of Dino so the temptation was always there but even if I wanted to intervene financially I was in no position to do so as I had my own financial struggles within producing the film. I also knew that his struggles made the story that much better. Intervening would have only taken away from that. I was not on a mission for a “happy ending” or any sort of predictable/preconceived plot.

DD) Was there much planning in where the movie/story was going or did you just go with the flow and see how things panned out?

BB) I was just following the story as it happened. That is the beauty of making a doc like this. You have no control over the outcome of the story. You are at the mercy of the reality that is given to you. My job was just to make sure I was capturing it all in a truthful way and the creativity comes in with editing. Building the arc and deciding what moments are moving the story forward.

DD) Initial responses from the film festivals have been great. Where to from here with the film?

BB) After winning the Jury prize for Best Documentary at the New Orleans Film Festival World Premiere in October we are looking to make a strong festival run into 2015. We also screened at the New Hampshire Film Festival and will be screening at the Shadow Box Film Festival in Manhattan on Dec 5th. We have started initial talks with distributors and would like to see the film have a theatrical run with VOD and broadcast distribution in late 2015.

DD) I imagine that making this documentary has been an intense process.
How has making this movie and observing Dino changed you as a person?

BB) Filming someone as determined and stoic as Dino influenced me to keep motivated in the process of making the best film. I am more patient and confident with my work now. The most daunting thing about making a doc is that you may have to commit years of your life to something that in the end doesn’t pan out or live up to your expectations. Finishing the film and getting a positive response is huge because it is the first time you think “I can go out and make a film and it can turn out good!” That initial fear is gone and for the first time you actually feel like a filmmaker.

DD) What’s next for Brad Bores Films?

BB) I have been doing commercial work and operating camera for reality TV the past two years since finishing. I live in a small town in the Midwest so you have to be creative in finding work and be willing to travel. This was the first year of my life I didn’t have to work construction or move furniture on the side to fill the gaps so that, in and of its self, is a big accomplishment. I am trying to find the balance of having a career and sustaining while also making passion projects that I believe in. I think it’s a good balance to do some commercial work or cam op on reality shows because making WTBR really took a toll on me and those gigs you can just show up, film, and go home. I see myself jumping back into a doc in 2015 hopefully with a production company behind it. I would love to work with P.O.V. docs. I still want to keep the crew small and the time investment high so it will be interesting to see if I can keep to these ideals while working within the system.

Brad Bores Films LLC

www.bradboresfilms.com

bb@bradboresfilms.com

When The Bell Rings

When The Bell Rings

Dino “Lethal Warrior” Wells strikes a pose with his son Desmond

Director Brad Bores was kind enough to share with me a pre-release copy of his documentary “When The Bell Rings” and I am glad he did. I loved it! Yes it’s a boxing documentary, but it’s much more than that.

“When The Bell Rings” is the story of Dino Wells a former amateur middleweight boxing champion and his attempt at a comeback at the age of forty after a fifteen year absence from the ring.

To use a clichéd expression, this film is a like a real life Rocky. However the emphasis is on the “real life’. If Hollywood was to get hold of the story they would gloss over a lot of the realities and bundle it all up into a feel good story of bunny rabbits and fluffy pillows. But life is not like that.

This is the story of a man who lost his way, who tasted success once only for it to slip away, only for life and bad decisions to get in the way of his dreams.

The film is not so much about whether or not he achieves his goal but what he discovers about himself on the way. How it gives him a new sense of purpose, a new reason for being, a new sense of self-respect.
How just being a good father is often tougher than being in the ring.

I think every man reaches a stage in his life when he becomes aware of his mortality and looking back on his life wonders where the years have gone, thinks how things could have been done better/differently, and I believe that this film will strike a chord with many viewers.

When you first see Dino you don’t think he has a snowball in hell’s chance of succeeding. He is overweight and slow, and in one of his first sparring sessions is rapidly KO’d.

I don’t want to give too much away but you will see how he deals with setback after setback as he works towards his goal.

The film examines his motivations, his attempts at reconciliation with his estranged family, and also looks at his past which included selling drugs and being wounded in the arm in a drive by shooting.

More importantly though it looks at what keeps him going and how the real victory is a victory over himself and the true prize is not found inside the ring but outside.

Some scenes in the film are shot with hand held cameras which gives a sometimes jerky footage and occasionally the character moves out of shot, but rather than detracting from the film it draws one in and feels intensely personal, giving the viewer a touching and intimate insight into the character’s life.

I am looking forward to seeing what Brad Bores comes up with next. This is his first full length documentary and based on this movie I think he has a bright future ahead.

‘When The Bell Rings’ has taught me a couple of things. Firstly, don’t be afraid to pursue/revisit your dreams no matter what stage of life you are at. You may not achieve what you set out to do, but by following the journey you will open up a whole new world of possibilities. Secondly, it is never to late to make amends or reconcile with those you have had differences with in the past. As someone much wiser than me once said “Forgiveness is not always easy. At times, it feels more painful than the wound we suffered, to forgive the one that inflicted it. And yet, there is no peace without forgiveness.”

The documentary won’t be released until 2015 but is currently making the rounds of the film festival circuit and has already won the Jury Award for best documentary feature at the New Orleans Film Festival. I predict great things for this movie. Make sure you see it too!

*UPDATE* 13/11/2015

‘When the Bell Rings’ is finally available for viewing on Vimeo on Demand. You can watch the trailer here:

 Useful Links

When The Bell Rings on Facebook

When The Bell Rings on Twitter

Dino Wells on Twitter

Spirit of the Marathon


 

Spirit of the Marathon

I loved this documentary. It has all the elements of a Hollywood movie. A varied cast of characters and an interesting story line that builds to a nail biting climax.

Spirit of the Marathon follows four amateur runners and two elite runners in the build up to the 2005 Chicago Marathon. You discover their aspirations, and motivations, and the sacrifices the amateur runners make in order to pursue their dream. The contrast in preparation between the amateur runners and that of the elite runners is also interesting to see.

The film too gives a good historical background to the event with a lot of interesting archival footage and interviews with previous and current running greats. I did wonder why the distance is not a round number (42.195 kms) and this documentary explains why.

Worth a watch even if you are a non-runner.

(The same producers have now come out with Spirit of the Marathon II which follows 7 runners preparing for the Rome Marathon. I haven’t see it yet but will post a review when I do.)

Spirit of the Marathon
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